The following article by Gail Buchalter appeared in a September 1983 issue of People
Stop in the name of rock! - Sting and the Police pound the beat on the summer's hottest tour...
His spiked hair might have been coiffed with garden shears. Some might say his clothes often show more Goodwill than good taste. At times, his confidence flirts unapologetically with arrogance. None of that matters, of course. When Sting, ne Gordon Sumner, struts out as point man for the Police, what shines forth is the sort of feral sexuality that can fill baseball stadiums at $17.50 a pop.
Which is exactly what Sting, 31, and fellow Policemen Stewart Copeland, 31, and Andy Summers, 40, have been doing since their 28-city North American tour opened July 23 in Chicago's Comiskey Park. Backed by a No. 1 album ('Synchronicity') and a No. 1 single ('Every Breath You Take'), the British-based trio has dense-packed the Joe Louis Arena in Detroit, the John F. Kennedy Stadium in Philadelphia and Shea Stadium in New York. At Shea they sold out 67,000 seats in scarcely five hours, proof of the band's status as the hottest group on the road - and the most successful exponent of Britain's New Wave. Beyond a reasonable doubt, Sting is the Police's most arresting element. An aspiring actor who won praise last year for his performance in 'Brimstone and Treacle', he presents an uncommon blend of beauty, brains and bombast. Ask him about the business and he'll dismiss rock 'n' roll as "atavistic," denounce touring as "life with our nerve endings hanging out" and complain that rock stardom has come to mean "outrageous egos and stupidity." Political parties? "They are ideal institutions for marshaling fear and prejudice and stupidity, but not for realizing human potential." Religion? "I think there is something bigger than us or something in us that's untapped," he says. "I prefer believing the latter."
His musical ideas are more interesting. The Police's blend of reggae rhythms, pop-rock melodies and jazz-influenced textures has powered five hot-selling LPs. Sting wrote all but two of the songs on their newest, which sold more than 3.5 million copies in only two months. Critics have called 'Synchronicity' a rare blend of art and accessibility. "I have no compunctions about trying to write hits," says Sting. "That's the name of the game, and I like playing the game of charts."
For Sting, the will to play began in Newcastle, England, a shipbuilding town, where he was the eldest of four children born to a milkman and a hairdresser. Mixing Jesuit schooling with an early interest in the Beatles ("They were from the working classes and showed a lot of us the way") and then jazz, he eventually took up teaching at a Catholic school while moonlighting in local jazz clubs. A penchant for bright black-and-yellow striped jerseys gave him a bumblebee look onstage and earned him his nickname.
Sting left teaching in 1977 to join Copeland, an American-born drummer, and Summers, an English guitarist who had once worked with the Animals. With Sting as their bass player, the group released Roxanne, Sting's ode to a French hooker, which became a hit on both sides of the Atlantic. Their first album, 'Outlandos d'Amour', was cut for a scant $6,000 and sold more than 2 million copies.
Adopting bottled blond hair as their one concession to gimmickry (they dyed their locks originally for a Wrigley's gum commercial), the group rode the charts with a string of hits that kept them beyond reach of the record industry's recession. A novel 1980 tour to Bangkok, Bombay, Cairo and other exotic locales further spiced their reputations and their music, but the strains of stardom and touring also began to tell. Sting's marriage to English actress Frances Tomelty, 32, has since foundered after eight years and two children (Joe, 7, and Catherine, 1), and his sometimes combative relationship with his musical mates has also had its bumps. "Being in a group is not a natural thing," he observes. "I find it very difficult."
If music's appeal starts to fade - Sting has said he has no long-term commitment to the Police - there are movies ahead. Thanks to his appearances in the 1979 film Quadrophenia and in 'Brimstone and Treacle', he now has a steady diet of new scripts to read ("I can sniff a bad one after three pages"), and next year he will appear as the villainous star of 'Dune', Dino De Laurentiis' $25 million sci-fi thriller.
While other projects wait in the wings (including a screenplay he's written for 'Gormenghast', a Gothic fairy tale), Police business continues to dominate. Between the early U.S. concerts, the group holed up at a Bridge-hampton, Long Island mansion, where Sting could unwind with jogging and tennis.When possible his kids fly in from England to visit with Daddy on tour and his current companion, actress-model Trudie Styler, 30. Already in the works, however, is a possible 1984 trip to Japan and Australia for yet another sure-to-be-sold-out tour. "I've always been very lucky, and that's been strengthened by the fact that I can back it up with talent," says Sting with characteristic nonchalance. "Luck lasts just so long." Perhaps, but right now the Police seem to have luck locked up.
© People magazine
Police Brutality - A monster called Sting: "I'm quite interested in finding me again," Police singer and bassist Sting confessed to the press last summer. I used to be the same sort of person on-stage that I was in private life, but now it's sort of a monster. He looks wonderful with the lights and the crowds, but in the kitchen, it's a bit much. I'm just trying to find out who is the real me - is it this monster or someone more normal? Right now, he's a bit worn at the edges..."
Are the Police on the verge of a breakup...? The thing about being really successful is that it can make or break you," muses Police guitarist Andy Summers at his home in south-west London. "Once the spotlight is on you and you're up there on that public platform, you really have to deliver. If you don't, then down you go. And I think that one of the main reasons the Police continue to go on is because in the end we do deliver..."
Twilight of the Gods - Being an account of how three musicians and two entrepreneurs turned the music business upside down and an inquiry into why the Police won't give up the ghost. Toronto - The theme is priorities; the name of the game, ambition. To illustrate: when once, in adolescence, life itself hinged on whether the New York Rangers could at long last win a Stanley Cup, it now doesn't so completely dominate the daily passions as much as that peculiar filigree of pain and pleasure known as "the girlfriend..."
Led by superstar Sting, the rock trio has beguiled U.S. audiences with its mix of reggae, rock and charm. Watch out the Police are in town. It's the fourth night of their current eight-month world tour, and backstage at Detroit's Joe Louis Arena the three winsome blondes known collectively as the Police are preparing for a performance. Lead singer Sting, a.k.a. Gordon Sumner, is hanging from a gravity device that forces the blood to his head. "I feel like a bat," he shouts, flailing comically. "Somebody get me a field mouse." A few feet away, wearing a pair of black roller skates, drummer Stewart Copeland is lost in 'A History of Warfare'. Nearby, equally absorbed, guitarist Andy Summers winds his way through Jorge Luis Borges's 'Labyrinths'...
Approaching it from New York in a big black car, Shea Stadium looks like the spaceship that lands at the end of 'Close Encounters Of The Third Kind'. It's almost round and completely bathed in light; a warm halo glowing against the night sky. Driving closer, an atmosphere of intense excitement and activity is evident. 67,000 people have bought tickets to see the Police play here tonight. Thousands more have been disappointed...